“After the rain, first snow on asphalt”
雨上がり、初雪、アスファルト

150 × 200 cm

枝、アクリル塗料、紙、金属シャッター、塩、香り
branch, acrylic, paper, metallic shutters, salt, fragrances

固定され、凍りつき、垂直に結晶した、各々3通りの嗅覚、視覚、そして小さな心象風景。水平に置かれ、金属シャッターによって区切られて、雨と初雪とアスファルトの香りがこの場に現れては消えてゆく。私たちの感覚にとって、これは軽さと重さの、充溢と空虚の、鋭さと希薄さの間の闘争のようだ。
Three sensations of smell, three visual impressions, three small mental landscapes, fixed, frozen and vertically crystallized. Layed flat and delimitated by metallic shutters, the perfume of the rain, of the first snow and of the asphalt are merging, it takes an appearance in the space and vanishes. For the senses, this is like a duel between lightness and heaviness, between the full and the empty, between the acid and the diluted.